Unlike the playing with light and shadow, which can maximized an object in a very complex shaping, backlit minimize an object til’ the purity of its beauty. There is no any shadow. Backlit has flattened a volume in a very origin way of shaping, two-dimentional. What was left is only the margin. It was not simple. It was so subtil, as if the composer has spended his whole strength to manage this frangility, for it to not be broken. An attention is paid on one line, only what essentials, somewhat intentionally left. It was so less but so bold, to be immediately captured in our mind.